As a colourist, I collaborate with directors and cinematographers throughout the colour grading process to ensure their vision is brought to life with unique and compelling visual imagery.
I am capable of manipulating colour to dramatically affect the mood of and aesthetic of a scene, enhancing the storytelling potential.
Using sophisticated node-trees and power-windows to balance and match footage, and create a “look” for the film from the ground up, I ensure the colour grading is both visually pleasing and conducive to a successful end product, for all types of distribution.
